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Cynthia Pellin - Painting and femininity

Latin America - from February 20 to March 19, 2011
Cynthia Pellin - Painting and femininity

Art Gallery MODERN AND CONTEMPORARY - PALACE OF CULTURE here to go to the Exibart . alert - keep an eye here

Viale Umberto I 1 (04100)

+39 0773652600

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sixth round of the festival with artist Cynthia Pellin

time: Tuesday to Friday from 10.00 to 13.00 Entrance Via Umberto I afternoon from Tuesday to Saturday from 17.00 to 19.30 Entrance Via Oreste Leonardi side (may vary, always check by phone)

tickets: free admittance

vernissage: February 20, 2011. 19.00 hours Presentation Vincent Scozzarella

catalog: Art Galleries by Vecchione

curators Fabio D'Achille

authors: Cynthia Pellin

notes: Within: MAD - Review of Art Simultaneously, in collaboration with the Department of Culture

genre: contemporary art, personal

email: annamaria.acquafredda @ gmail.com MADanza to by Fabio D'Achille, in collaboration with the City of Latina and Vincenzo Scozzarella Scientific Director of the Galleria Civica d'Arte Contemporanea di Latina, presents the sixth round of the festival with artist Cynthia Pellin staff "painting and femininity" 20 febbraio2011 VERNISSAGE at 19.00 after dance show "LOVE MACHINE" 's art through the paintings narrate the feminine is the specificity of Cynthia Pellin, who manages to steal the viewer's attention with his unique style. And how Mino Rossi says: "You can not tackle the art of Cynthia Pellin without reference to the importance of light in his works, which are all intended to convey emotions, that is to build connections between work and public. The light is in fact the privileged place where meetings can take place because it is the space of clarity, transparency and brightness. [...] The works of Cynthia are tied variable play of light and shadow: the meaning of the expression of the face, body movement is marked by the contrasting light and shadow, light-planes. The faces of the portraits of women who line up in an endless sequence, are calculated so that their features stand out from a mime extrapolated from meetings in virtual places with women, namely, that they have never met, but that lead expressions on their faces, whose signs are present throughout the human species and making them live in complete rawness of their emotions. Each picture opens a new and different scenario, in relation to the swarm of emotions that the artist wants to communicate, so that it is legible and clear in its brightness. " Recently one of his works" Vampire "has been used as cover for the book by Fabio Mundadori at the Palace of Culture Period February 20, 2011 - March 19, 2011 Curator Fabio D'Achille Vernissage 20 febbraio2011 19.00 hours "painting and femininity" Presentation Vincent Scozzarella Catalogue by Vecchione Art Galleries Presentation of the book Mino Rossi Cynthia Pellin-Painting and femininity " during the vernissage will be possible buy Music Accompaniment Crocodile Rock Duo Claudio Olympian and Archangel Spina Tasting DEVELOPMENT HORECA no. Press and External Relations Anna Maria Acquafredda for information: tel. 348.6612537 339.8883014 e-mail annamaria.acquafredda @ gmail.com time from Tuesday to Friday from 10.00 to 13.00 Entrance Via Umberto I afternoon from Tuesday to Saturday from 17.00 to 19.30 Entrance Side Entrance Via Oreste Leonardi free Municipal Art Gallery Galleria Civica d'Arte Contemporanea Modena and Palace of Culture Via Umberto I, 41 / 43 LATIN Biography of Cynthia Pellin Cynthia Pellin and 'born in Velletri (Rome) on 19/07/1973. He attended the Accademia di Belle Arti in Rome, graduating with honors during the scene with Prof. Vendittelli. "Cynthia Pellin already carries out 'for some time to explore a route leading more and more' closely the female universe: a journey of inner character, a kaleidoscope full of charm and seduction, an isolated planet in a myriad of chips, which approach and move away, in the endless game of life. "(L. Guarino) Exhibitions: - 2008 Reggio Calabria" final details " Personal, Art Gallery today Padua "Art Fair" Old art galleries Rome "Contemporary tomorrow" theater room Umberto Verona "artverona" Old art galleries Latina "Solidarte" Lydia Palumbo Scalzi Catania Gallery "Art Fair" Exhibition Center The Chimneys - 2007 Padova "final details" Staff, Zerokarati Gallery (old group) Bolzano "Kunstart" Verona "artverona" Old art galleries Milan Miart " Genoa Genoa Arts" Old art galleries signaling between finalists in the "Arts Award 2007" - 2006 Verona "Art Fair" Old art galleries Verona & Luxury yacht "luxury show Milan Miart" Old art galleries Padova Artefiera "Old art galleries - 2005 Vicenza Vicenza Art Fair" Gallery Vecchiato "Catania Arte Fiera" smokestacks Exhibition Center - 2004 Vicenza Vicenza Art Fair "Gallery Vecchiato Padua" Art Exhibition "Gallery Vecchiato Latina" .... the story of all time "Lydia Palumbo Scalzi Gallery - 2003 Latina "1945-2003 Contemporary" exhibition at the invitation, Palazzo M signaling among the finalists of the "Arts Award 2003" - 2002 Forte dei Marmi (Lucca) "What I see" Gallery Vecchiato Padua "Art Exhibition" Gallery Vecchiato - 2001 Neckarsulm (Germany) "Fragments" Staff , Neckarsuim Bank Genzano (Rome) "Pieces of femininity" Staff, Center for Contemporary Art Luigi Montanarini signaling among the finalists of the "Arts Award 2001" - 2000 Sabaudia (Latina) "Between reality and fantasy" Staff, Room exhibitions library Sabaudia - 1999 Sanremo (Imperia) "Put a song in frame" Art shop Sanremo Privett (Latin) "Between reality and fantasy" Staff, Town Hall Latina "Piazza Culture" exhibition at the invitation for a cultural event

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Gazzettino, 17.02.2011

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Elis Wilk - Reveils

Naples - 15 to 28 February 2011
Elis Wilk - Reveils

GALLERY GINO Branches go the card here Exibart.alert - keep an eye here

Via Broggi 9 / 10 (80,135)

+39 0815640738

info @ ginoramaglia.it

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"Artists Showcase" Performance-show

time: Tuesday to Saturday 10-14 and 16-20 (may vary, always check by phone)

tickets: free admittance

vernissage: February 15, 2011. 19.30

authors: Elis Wilk

genere: performance - happening, personale Elise in Wonderland. La consonanza del nome dell’artista con la piccola Alice di Carroll lascia affiorare altre inattese contiguità. Il giardino fantastico della nouvelle Alice è Napoli: un singolare paese delle meraviglie che popola tanto isogni, quanto le veglie della nostra squilibrata poetessa francese. Ecco perché Reveils: una parola che, tagliata male (Reve-ils), può provocare nubilanti overdosi di catene oniriche, ambiguamente sospese su quel filo arancio dell’aurora, che da un capo è legato al cupo imbroglio metamorphic stage of REM, on the other head merges into the translucent white paint instead of waking morning. Naples as a fantastic garden: a topos that refers to the suspension of the Edenic Decameron brigade, a joie array of Anjou (Elise would rather an 'Angevin joi'), which persists even to hover like mist Sunrise ( the whites of his work) between the heaps of rubbish from cars scamazzata ( the chaotic spots of ink monotype) calm and patience of the people killed (his tenacious red). The a spiritual Brigade of his characters and tells stories of lightness of transformations, accoppiamenti ibridi e associazioni fantastiche. Ricorre nei suoi disegni l’assillo onirico del doppio, rappresentato con copule di ispirazione ovidiana o con fusioni del due-in-uno che evocano, con una non comune leggerezza, le associazioni dada. Il supporto dei suoi fantasmi è la carta da parati: monotona e retro come la città che ha alimentato i suoi sogni. La tecnica, quella della monotipìa, contribuisce perfettamente a rendere visibile la grassa e fertile materia onirica partenopea. Con una breve dimostrazione, la sera del 15 febbraio (h 19.30) l’artista accompagnerà gli spettatori nel suo Wonderland.

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Mariarosaria Stigliano

Avellino - 15 February to 30 March 2011
Mariarosaria Stigliano

SOUTH BANK SELLA ARDITI GAL here to go to the Exibart.alert - keep an eye here

Corso Europa 8g (83,100)

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balance between reality and dream in the works to bring us Mariarosaria Stigliano suspended atmospheres, faint but recognizable, near and at the same time elusive elusive.

hours: Monday to Friday 8:30 / 13:30, 14:45 / 15:30 (may vary, always check by phone)

tickets: free admittance

vernissage: February 15, 2011.

curators Mona Lisa Salvati

authors: Mariarosaria Stigliano

Event Phone: +39 3204571690

Gender: contemporary art, personal

email: monnalisa.salvati @ tiscali.it

web: www.associazionestudio7.it balance between reality and dream in the works of Mariarosaria Stigliano lead us in suspended atmospheres, faint but recognizable, near and at the same time elusive elusive. "Short Tales" are short stories, small stories with a strong flavor, leaving time to think, to continue in its own way the thread of events just like images that the artist offers us. A room, an old factory, a station or a busy street where you become the theater has a charm, the charm of a stolen moment in time that passes, a simple but extraordinary product of daily life that we do not stop to look more or that perhaps we can no longer see. But we've ever seen? Or maybe it is part of our imagination? And if we only wanted to see why there is so familiar? Opening hours Mon / Fri. 8:30 / 1:30 p.m. to 2:30 p.m. / 3:30 p.m. Free admission Event Info cell.320.4571690 Press Studio7.it www.associazionestudio7.it Curator Artist Mona Lisa Salvati Mariarosaria Stigliano Biography Mariarosaria Stigliano was born in Taranto in 1973. He graduated in Law at the University of Rome La Sapienza and the action follows the second degree in painting at the Academy of Fine Arts in Rome. He exhibits in several locations in Italy and abroad. In 2007 he won the International Prize MassenzioArte (Roma). In 2009, staff at the Urban Passengers at the gallery The New Ars Italy (Milan), his works were chosen by Ferrovie Nord Milano as some of their most representative images. In 2010 selected to take part in three major awards: In Opera, edited by Antonio Paolucci (Director Vatican museums), the Broad Prize, given by Madonna and Daniela Award Sulmona, chaired by Vittorio Sgarbi. started in 2011 by participating in the program Art RAI News RAI 3 where is interviewed about his art and at the same time creates a painting. The making of the work and the episode can be seen at the sites of Rai Art News.

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pruning BAY

Branches arising from the pruning of trees in the "Bay", made some days ago, for, in all probability, to be turned in good compost: Compost is a useful addition to the various crops in pots, to feed and more fertile soil of lawns, gardens and parks (ENZO PEDROCCHI)

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Heraldry of the feudal lords and noble families of Guardia Lombardi

Heraldry of the feudal lords and noble families of Guardia Lombardi

the feudal lords of Guardia Lombardi

Year 575

The Lombards in Campania

The Year 1000-1196 The Normans in Campania

Valvano of Valva (Conti) before the noble family of Guardia Lombardi

Year 1196-1266

The Swabians in Campania

The Year 1266 Anjou Many families in Campania

, Ghibellines, the north and the center of Italy are forced to take refuge or exile in southern Italy.

I Folliero of Ferrara, Ricciardi of Tuscany, the Gentile and Scorza of Liguria.

Year 1382

Otto IV of Braunschweig-Grubenhagen

Feudatario of Guardia Lombardi

Feudo inherited by his wife, Joanna I of Anjou, Queen of Naples.

Arms: Gules, two lions illeoparditi gold posts band.

Year 1392

Raimondo Orsini del Dodge

Feudatario Guardia Lombardi

Buy the feud by Otto IV in June 1392

Year 1406

Gabriele Orsini Dodge

Feudatario Guardia Lombardi

Year 1454

Maria Donata Orsini Dodge

feudal Guardia Lombardi

Year 1482

Dodge

Isabella (daughter of Donald and Mary Dodge of Pirro)

feudal Guardia Lombardi

Year 1497

Sigismondo Saraceno

Feudatario of Guardia Lombardi

bought the estate of Frederick of Aragon (King of Naples), given to him as dowry from his wife Isabella of Dodge.

Arms: D'Argent, a natural dark brown, light blue walls, with a golden lily on his forehead.

Year 1525

Giovan Camillo Saraceno

Feudatario of Guardia Lombardi

Year 1528

The feud returns to the Royal Court of Anjou

Saraceno I rebel against Charles V, he was dispossessed of the feud Guardia Lombardi.

Year 1529

Alfonso De La Rosa Rosa ou

Feudatario of Guardia Lombardi

fief given to him by the Viceroy of Naples, Philibert de Chalons

Year 1529

Antonio de Ioanna

Lieutenant of Alfonso De Rosa

Year 1542

Tiberius Caracciolo

Feudatario Guardia Lombardi

bought the estate by the De Rosa for 10,000 ducats.

Year 1549

Leone Folliero

Feudatario of Guardia Lombardi

bought the estate from Caracciolo

Arms: Gules, a lion ' gold.

Year 1560

Scipione Folliero

Feudatario of Guardia Lombardi

Year 1563

Beatrice Folliero

feudal Guardia Lombardi

Year 1607

Francesca Lannoy

feudal Guardia Lombardi (per day)

donation to his mother, Beatrice Folliero.

Year 1607

Ferrante Della Marra

The Duke of Guardia Lombardi (1611)

Buy the feud by Francesca Lannoy for 49,000 ducats.

Year 1629

Luigi Della Marra

Duke of Guardia Lombardi

Year 1635

Beatrice Della Marra

Duchess of Guardia Lombardi

Year 1649

Giuseppe Della Marra

Duke of Guardia Lombardi

Year 1656

John Della Marra

Duke of Guardia Lombardi

Year 1696

Silvia Della Marra

Duchess of Guardia Lombardi

Year 1765

Antonio Fulco Ruffo

the First Duke of Guardia Lombardi

For inheritance from his mother Silvia Della Marra

Year 1770

William Antonio Ruffo

Duke of Guardia Lombardi

for donation of his father Antonio Fulco Ruffo I °

Year 1782

Antonio Fulco Ruffo II

Duke of Guardia Lombardi

Year 1803

Fulco Ruffo Antonio Giordano

Duke of Guardia Lombardi

Year 1852

Fulco Ruffo

Benjamin Duke of Guardia Lombardi, Prince of Scilla

Year 1901

Duke Fulco Ruffo di Guardia Lombardi

Year 1946

Fabrizio Ruffo

Benjamin Duke of Guardia Lombardi, Prince of Scilla

noble families of Guardia Lombardi

Family Barrasso

White Family Family Family Di Biasi

Cardillo

Castellano Family Family Family Cataldo

Caterini

Cipriano Family Family Family

Damiano Gentile

Jordan Family

Grassi Family

Imperial Family Family Family Macchia Di Leo

Maiorano Family Family Family Mariconda

Mignone

Family Di Pietro Pignataro

Family Family Family Peoples

Ricciardi

Rossi Family Santoro Family Family

De Simone Simone ou

Troiano Family Family Family Valvano

De Vita

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Mario Marcucci - Oils and watercolors

Salerno - from 12 February to 2 March 2011
Mario Marcucci - Oils and watercolors

GALLERY CATALOGUE here to go to the Exibart.alert - keep an eye here

Via Antonio Maria De Luca 14 (84122)

+39 089232666

info@ilcatalogo.com

www.ilcatalogo.com

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The gallery pays homage to the painter Catalogue Viareggio with a project on the centenary of the birth of the artist, in conjunction with a retrospective dedicated to him from his city

time: every day except Monday: 17.30-20 10 -13 hours (may vary, always check by phone)

vernissage: February 12, 2011. 19 hours

press office : olga.chieffi @ virgilio.it

authors: Mario Marcucci

Gender: contemporary art, personal The Gallery The Library pays tribute to the sign of Mario Marcucci simultaneously with the large retrospective exhibition dedicated to him from his city, set in the halls of Villa Paolina Bonaparte, "Mario Marcucci and Viareggio. Environments and reflections ", a project of this Lelio Antonio Schiavone and Adil, who was born on the centenary of his birth with an exhibition of oils and watercolors, which opens Saturday, February 12 at 19 and will be available until Wednesday, March 2 2011. In the works on display "(...) You can admire the landscapes, the sea, pine forests, streets and squares of the town of Versilia - Raffaella De Santis writes on January 8, Art Republic ca - revealing the life and love for his land. " Mario Marcucci's language was developed through the investigation and representation of the landscape of his native land of sea, boats and pine forest, then through the light of the particular site has honed his research by analyzing and investigating all possible variations of the language of color as a means to capture the appearance of reality, with whom he represented still lifes, portraits and portraits of great value and beauty. The color was a sort of obsession for the artist, that I led to a vast production of oils and watercolors done on everything that came to hand, newspaper, book pages, all kinds of wood, lids of cans, cardboard, cloth, everything could be used and the enormous quantity of paintings that he left the witness. His landscapes, whether realized on a squared paper or wax paper in a grocery store are never subject to a concession or a display of virtuosity. Marcucci's paintings, like the two still lifes on display, painted in oil, "Basket of Onions" in 1947 and "Basket jars and jug" reveal the beauty and poetry of those things to be humble and modest need to be understood, interpreted or described by an artist for the world to notice them. They are still lifes, villages, fields, lonely corners of nature 'picturesque', neither horrible nor dazzling, but common, simple, without excess of lines, colors and contrasts. The duration of the sign Marcucci, be it a portrait or a landscape such as "Figure Back" on a page Corsera of May 1971 or a "channel of Viareggio is endless: their image is formed in a fire inaccurate, is above all a mental image stored in memory and reactivated. Subject already reflected in time, without waste utility, fixed and random in its pre-membership, pay its spots and its seas, the densification of the shadows, the air pockets of the plans, to internal dialogue that adapts to them a sequence of simple colors, rearranges them for different spatial relations from which a particular breath of light that throbs with equal intensity in each image and appearance all the more negligible unifies all impressing to the sky like a bush, the same deep pulse. Mario Marcucci (28 August 1910-2 May 1992), Viareggio, refractory to any entry in the current art of our century, has maintained a personal pictorial language and a passionate exchange with poets, writers and artists, thus becoming a emblematic figure of 900, a complex artist who has done his research in several directions in the representation and tonal painting. Marcucci arises mainly in the field of art near De Pisis, Morandi and Rosai, which is only away for a short period - the late forties - to deal with the suggestions of Cubism. Training was important in his friendship with the poet Luca Ghiselli, his contemporary, who died in 1939. At the beginning of the war came into contact with the Hermetic Florence. During his career he received many awards (he won the Premio Bergamo in 1941, then the Marzotto Prize in the Festival of Italian painting in Venice; 8x10 Prize of Rome in 1951, the Michetti Prize in 1953 and the forint in 1954) and participated in numerous exhibitions including several editions of the Quadrennial Romana and the Venice Biennale. During the fifties stayed several times in Rome, then moved to Florence, where he remained until 1966, when he returned to his hometown final. This period marks undoubtedly the highest stage of his painting with the creation of some of his most beautiful, important and meaningful. Become almost completely blind since the mid-eighties he stopped painting.

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Orodè Deoro - Orodeide

Lecce - from 13 to 18 February 2011
Orodè Deoro - Orodeide

HOTEL PRESIDENT here to go to the Exibart. alert - keep an eye here Via Antonio Salandra 6 (73,100) locate on the map Exisat pinpointed on Maps MapQuest Print this tab Current events near Exhibition of works on paper, canvas and mosaics to celebrate the first Fragmentart decade of life and bring the public closer to this particular mosaic composition that recalls the works of Gaudi and Hundertwasser. vernissage: February 13, 2011. 15 hours Authors: Orodè Deoro Gender: contemporary art, personal email: sadgold@hotmail.it From 13 to 18 February in the halls of the Hotel President inaugurated the exhibition "Orodeide" of Orodè Deoro Exhibition of works on paper, canvas and some mosaics Fragmentart to celebrate the first decade of life and bring the public closer to this particular composition that mosaic recalls the works of Gaudi and Hundertwasser. The mosaic was born in Fragmentart September 2000 in the house-museum Vincent City, Guagnano (LE), now a permanent exhibition of the artist with more than 250 square meters of large-scale works are unique in the world, visited over the years by thousands of people. Among the works on display as well as some portraits, like those of Callas and Carmelo Bene, the works on display in the foyer of the Palladium Theatre in Rome in March 2010, staff in "The Good impossible." Also on display are the winners of the Prize in 2009 Fani in Rome, Heavenly Prize and vote online. Sunday, February 13, 2011, at 15, at the Hotel President in Lecce, in Salandra, 6 "The truth, I pray, love" Jam with interdisciplinary Emanuele Coluccia, piano - Franco Simone, actor - Orodè Deoro, painting performance. "look like a pair of pajamas, Or the ham there to drink? For can remember the smell of llamas or will be a comforting smell? E 'prickly to touch as a bush, or soft as eiderdown? E 'sharp or quite smooth at the edges? The truth, I pray you, love. "(WHAuden) is inspired by this famous poem by Auden the interdisciplinary jam in program on the Sunday before the feast of St. Valentine, will perform the three magnificent - the poetic genius desperately Orodè Deoro, talent beyond measure Emanuele Coluccia deconstruction and removal of Franco Simone - in a game of prestige among the colors, words and notes Sails and reveal the truth of love. The exhibition and jam are included in the "All in the Hall - Sunday Brunch & Music Café" Posted by Workin 'Music Production & Elena Richard

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Stubbornness'




Guido Bianchi intent to fish, with unexpectedly stubbornness, in spite of rain (Enzo Pedrocco, 2008)

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Photos "GAZZETTINO"



(Enzo Pedrocco, 2008)



(Il Gazzettino, 09/02/2011)

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OTHER VENICE HIGH WATER



The other Venice / Sant'Alvise (Enzo Pedrocchi, 2011)

Upper Left Quadrant Pain That Feels Like Gas

Chiovere the Cat (Enzo Pedrocco, 2011)

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Post Motus

Capriglia Irpina (AV) - from 5 to 6 February 2011
Post Motus

DOWNTOWN here to go to the Exibart.alert - keep an eye here

(83,010)

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exhibitions

time : 10.00-24.00 hours (may vary, always check by phone)

tickets: free admittance

vernissage: February 5, 2011. 10 hours

curators Libero De Cunzo , Eleonora Picariello

authors: Lorenzo Giorgetti, Angelo Montefusco , Eleonora Picariello, Irene Russo, Claudio Valentino

Event Phone: +39 3487054880

Gender: photography, contemporary art, collective

email: irene_1985@hotmail.it event "Post Motus" Capriglia Irpina Old Town, 83010 (AV) 5 to 6 February 2011 hours 10.00-24.00 exhibition of contemporary art ex-church oratory Sant Antonio Picariello by Eleanor: "shock from the ground-Post Motus" exhibition of artists Eleonora Picariello, Claudia Valentine, Irene Russo, Angelo Montefusco, Lorenzo Giorgetti. _Show photo-via Roma by Libero De Cunzo: "Zenith Travel-meridian in the crater of the 'Alta Irpinia"

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Elizabeth Fontana - Intimate visions

Piacenza - from 5 to 17 February 2011
Elizabeth Fontana - Intimate visions

STUDIO GALLERY C here to go to the Exibart.alert - keep an eye here

Via Giovanni Campesi 39 (29100)

+39 0523716846, +39 0523461507 (fax)

studio.c-art @ libero.it

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His expression, strong and exuberant, is made of various materials that combine the colors to convey a message existence of great intensity.

time: weekdays and holidays from 16.30 to 19.30. Closed Monday (may vary, always check by phone)

tickets: free admittance

vernissage: February 5, 2011. 18.00,

curators Luciano Carini

authors: Elizabeth Fontana

like this: contemporary art, personal the contemporary art gallery "Studio C" Street Campesi 39 begins today, at 18, the exhibition by Elizabeth Fontana from the suggestive title "Intimate Visions." Born in Parma, where he also currently lives and works, Elizabeth Fountain is an artist with a long curriculum with critical-exhibition prestigious exhibitions held throughout Italy, Europe, USA, UAE, China and Japan. His expression, strong and exuberant, is made of various materials that combine the colors to convey a message of great existential intensity. Informal Painting, then, where element color and materials used wisely and well governed, trace paths, cuts, lacerations and wounds becoming a metaphor for man and life, inner journey, seeking absolute. Art as relief and liberation, or, if you will, as a requirement of life, need to express feelings, emotions and moods, but also psychological and introspective, almost an excavation deep within the "self" in search of truth and certainty. The festival, which will be introduced by the art critic Luciano Carini, will close Feb. 17.

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In Rome with ANCI on federalism, FAO, electrification Alba-Bra, Foundation Hospital Verduno

I put the alarm clock at 5.15, leave at 6 at the time of Caselle, to Rome: There is a very important meeting of ANCI. Trauma first arrival in the capital: the queue for an hour and a half of an accident!
Assembly ANCI with many mayors to talk about federalism, the day when Parliament is in a decisive vote on the subject that concerns the municipalities. I have the opportunity to speak my mind, with a design for a reform that is likely to be born lame and with no certainty: what happens to the budgets of municipalities before 2014? Born without concrete commitments that are not imposed in addition to others!
It 's a path which, however, must govern: Chiamparino has done well to continue negotiations with Calderoli, we mayors are responsible for preserving the possibility that the municipalities continue to deliver the service.
AND 'the opportunity for discussion with the mayors of major cities, from Padua to power in Udine, to make their voices heard. It is clear that Parliament and the government, although a few meters away, are far away: the municipalities does not seem to import anything to anyone. The afternoon
step at FAO headquarters for an old work connected to Mother Earth, then travel to the airport to return home. Meanwhile, I get an important news: the region has found the funds for the electrification of the railway Alba-Bra. Hope for our transport: what looked like a dream when Mariano and Daniel Rabino Borioli us working today could become reality, it is an opportunity not to be missed.
I make a phone call with a Mass on meetings held in the Province relating to road, and then with Bonetto on some issues of our roads.
return home for a short break and a few words with Hughes. At 20 I still go to
Fontanafredda, where there is a meeting of the Foundation for the Hospital of Verdun. The mood for the intentions of the Region, which would avoid the new hospital to bond with its territory, is widespread among the participants. Nevertheless the intention of all is to continue collecting signatures, to achieve the ambitious goals that one has data. Finally at 23:30 I
go to sleep!

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S. Masses of February

Oratory of the Most Precious Blood
Via Ofanto 24, Pescara (new court area).


Sunday, February 13, 2011 at 18:30
S. Mass


Thursday, February 24, 2011 at 18:30
S. Mass

Friday, February 25, 2011 8:00
S. Mass
18.00, Conference on "The Christian and the Risorgimento" (Chieti)

Saturday, February 26, 2011 17:30
S. Mass
18.15 hours Catechism for adults

Sunday, February 27, 2011 11:00 am
S. Mass