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The Tammaro - Three Generations Comparing

Antonio Tammaro - Naples Yellow

Naples - from 18 to 26 March 2011
I Tammaro - Comparing Three Generations

AISTETIKA ' here to go to the Exibart.alert - keep an eye here

Via Domenico Cimarosa 23 (80127)

Vomero

aistetika@hotmail.com

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Aistetikà \u200b\u200bhouses in its exhibition space an art exhibition devoted to three artists (his grandfather, daughter and grandson) that expose their work by making direct comparison of three different generations but linked by a single bond that characterizes and marks over time: the art.

time: matt. 11-13; pom. 17-19, closed Sat and Sun (may vary, always check by phone)

tickets: free admittance

vernissage: March 18, 2011. 18 hours

curators Sergio Valerio Garzia

authors: Antonio Giordano, Antonio Tammaro , Tamara Tammy

notes: Finissage party: Saturday, March 26 hours 18

Gender: contemporary art collective The stars of the show. Antonio Tammaro. The sculptor and painter Anthony Tammaro lives and works Grosseto, but was born in Naples July 26, 1915. In 1937, ranks first for the sculpture in the exhibition National Littoriali Trieste, and in 1938 he presented at the Bicentenary of the Academy of Naples, with a work, which now belong to the museum of Capodimonte. From 1952 to 1956 he taught at art school in Naples, who leave to devote himself full time to his artistic pursuits. The commitment and enthusiasm with which he voted to his work led him to buy in short, a national reputation. Join the Rome Quadrennial in 1955 and the Venice Biennale in 1956. Since then his paintings and sculpture are displayed in exhibitions throughout Italy. In 1992 he was awarded by the Argan Petroselli Prize for painting. Tamara Tammaro. Tamara Tammy, daughter of Anthony, was born in Rome in 1943, where he studied at the Art Institute and at the Academy of Fine Arts with her qualifications teaches professional design at the Art Institute of Naples Boccioni . In his career he has participated in numerous solo and group exhibitions, and many of his works are purchased from major public and private collections. Antonio Giordano. The young artist is the grandson of Anthony and daughter Tamara. As well as painter, animator and is curator of events, gather around it many artists. Rosario Pinto describes her as "a rich and vibrant personality .. a painting crumbly and profoundly enjoyable, presided over by a sort of inspiration which astrattizzante ... through a nervous and releasing some lightning flashes in light and shadow, giving spiritual strength to a line darting intriguingly ... " Luigi De Micco curator VALERIO SERGIO GARZA CARMEN PR PALMIERI hospitality marketing FLAVIA GARZA MARTINA RUFFO

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A COMMUNITY 'IN THE SERVICE OF THE MOST' LIVES DONATE TO NEEDY

A COMMUNITY 'IN THE SERVICE OF THE MOST' NEEDY

The headquarters of the Community of Bethany - on Fondamenta della Misericordia in Cannaregio - where every evening meals are provided free of charge to people over 70, both Italian and foreign , people facing difficulty, hardship and poverty. Which, during the week, may also have other free services - such as showers, distribution of clothing, laundry, barber and pedicure etc. - In addition to be helped in finding a job, sometimes only temporary, but nevertheless useful in order to facilitate the exit from the condition unhappy where they are and hopefully achieve a new dignity.

Such an activity, very humanitarian and, while undoubtedly of great social value and is made possible by the offers from parishes, individuals, and Caritas Patriarchal Curia of Venice. But, above all, thanks to the work of a large group of tireless volunteers, who, in order to provide its assistance and solidarity to those who unwittingly finds himself in need, do not hesitate to steal time and energy to their professional commitments and family.

Which, in a historical moment, like the present, where the vast majority of people tend selfishly to withdraw into herself, is, without a shadow of doubt, an admirable example, in contrast, sensitivity, generosity and respect towards the less fortunate than ourselves, which we would do well to ponder.

ENZO PEDROCCHI

Welcome Address Program

HOMELAND AND OFTEN FORGOTTEN

LIVES DONATE TO THE HOMELAND AND OFTEN FORGOTTEN


A substantial list of young people in Cannaregio, which, along with hundreds of thousands of others died of the "Great War" (1915/18) and at the vast number of casualties of other wars before and after it, helped also in our country to become the nation is now, with all its faults, but also with all its undoubted virtues.

On the occasion of the 150th Anniversary of the Unification of Italy I therefore hope that, in addition to the celebration planned and expected in certain famous historical figures, there are also reminded to address a dutiful thought of thanks and gratitude to the fallen of all Italy fought the wars, as well as to achieve its unification, during his long and travagliatissima history.

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Pilgrimage walk-Osimo Loreto 2011

Saturday, May 21 and Sunday, May 22, 2011
VIII EDITION OF THE PILGRIMAGE OSIMO - LORETO

Saturday, May 21, 2011 14.00
appointment at Osimo, the parking lot of the square of San Carlo (via Montefanese in front of the church San Carlo, from Old Town: Macerata direction) arrangement of the storage and classification of the pilgrims. Please be punctual.
hours starting at 15.00 feet in Osimo veneration of the body of St. Joseph of Cupertino, stop at the shrine of the Blessed Virgin of Sorrows Campocavallo; Castelfidardo arrival, baggage delivery, accommodation in the hotel rooms, dinner and overnight.

Sunday, May 22, 2011 S.
7.45 Mass. 9:00 am breakfast, accommodation luggage. 9.45 am departure, stop at the shrine of Crocette Castelfidardo; fly to Loreto and lunch. 14.30 hours in prayer and procession to the basilica of Santa Casa Loreto.ore 15.30 departure of buses to bring pilgrims to Osimo. 16.00 hours and arrive in Osimo end of the pilgrimage. How to reach

Osimo
For those traveling on the A 14: exit at South Ancona-Osimo.
For those traveling by train, get off at the railway station of Osimo. In this case, communicate the arrival time to the organization, which will take the pilgrims to come to the station. For the return journey we invite you to take the train to Loreto.

Mode the pilgrimage
The pilgrims walk the entire route of the pilgrimage (22 km), leaving the car on Saturday afternoon at the parking lot of the San Carlo in Osimo. On Sunday afternoon a bus from Loreto pilgrims to bring back cars.
Before the pilgrimage, the personal luggage will be loaded into a van that will transport you directly to Castelfidardo, in the place of accommodation. Along the way pilgrims in difficulty can use the service of some buses.
Along the way the priests provide spiritual assistance (recitation of the Rosary, songs, meditations, confessions). It is recommended not to use mobile phones while driving.


Meals Dinner Saturday evening at a restaurant service.
Breakfast on Sunday morning at the hotel where the pilgrims sleep.
Lunch Sunday lunch at the entrance to Loreto. Each pilgrim must get to the pilgrimage with the necessary (food, drinks, cutlery, etc..), The organization provides fresh bread and water. We also recommend energy drinks and food for the march and on breaks. Equipment and clothing


Pilgrims must bring: - a bag with personal items for bed: You should put a label with your name on the luggage for easy sorting - with a bag of food and drinks a picnic on Sunday.
You should bring a water bottle and a backpack for the walk, containing the necessary in case of rain, personal effects, the energy, etc..
We recommend walking shoes and a hat for sun protection.
We encourage people to avoid the use of Bermuda, it is suggested to the ladies and young ladies to the use of skirts below the knees and a veil or head covering for prayer in churches and to assist the Mass.

Overnight
The pilgrims stay in a hotel in Castelfidardo. There are rooms with two or three places, uniforms for women and men. Participants must then be adapted to other Dormin pilgrims. Obviously, the families use the same room. The berths are limited, so "first come, staying well."
For young people can be a cheaper accommodation in a hostel.
To maintain the spirit of the pilgrimage and not disturb the other participants, the pilgrims are invited to come in the hotel rooms by midnight.

Fee
For adults: 65 € (the price includes: support organizational expenses, hotel room, dinner on Saturday evening, breakfast on Sunday morning, meeting for lunch on Sundays).
For young people who sleep at the hostel: 45 € (including: contribution to the organizational costs, place lettto hostel, dinner on Saturday night, breakfast on Sunday morning, the room for lunch on Sundays).
For children up to 14 years: 50 €.

who had economic difficulties (students, families, etc..) Waives the pilgrimage: the organization will facilitate the registration
If you are unable to attend may send a bid to contribute to organizational expenses and to facilitate ' inclusion of those most in need. Pour

registration fees and contributions to the postal account No. 51 17 99 27, payable to: Mater Boni Ass Consilii Onlus - Casa San Pio X specifying
For the pilgrimage to Loreto (Please send by mail or fax a copy of the payment).

Entries must be accomplished solely by the House of St. Pius X Saturday, May 14, 2011

Casa San Pio X Via Sarzana
No 86-47822 San Martino dei Mulini (RN)
Tel / Fax: 0541.75.89.61 E-mail: info@casasanpiox.it

http://www.sodalitium.biz/index.php?pid=3
http://www.casasanpiox.it/news.asp?id=242

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PARTY FOR CHILDREN IN THE GHETTO

Side by side with Children's Carnival 2011 on the initiative of the Friends of St. Jerome, took place in the Ghetto, Saturday, March 5, a festival dedicated to children where, in addition to the traditional tasting pancakes and Galani, they were able to participate and engage with fun, and in many different games (ENZO PEDROCCHI)

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Anna Boschi - Post Scriptum

Anna Woods, part. FLIGHT OF THE POET, 2005

Forlì () - 6 to 22 March 2011
Anna Boschi - Post Scriptum

ORATORY SAN SEBASTIAN here to go to the Exibart.alert - keep an eye here

Piazza Guido Da Montefeltro 249 (47100)

+ 39 0543712317, +39 054330892 (fax)

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This show, the centenary edition of 8 March, the surrender to a great artist like Anna Boschi, the witness of a performance which sees the feminine element of distinction and value in the field art.

time: daily from 15.30 to 19 (closed Mondays) Saturday and Sunday from 10.30 to 12.30 and from 15.30 to 19 Tuesday, March 8: open from 15 to 19. (may vary, always check by phone)

tickets: free admittance

vernissage: March 6, 2011. 11 hours

curators Angelamaria Golfarelli

authors: Anna Boschi

patronage: the Directorate of Gender and the Culture of the Municipality of Forlì

notes: Commissioned and promoted as every year the Feast of the UD Women

genre: contemporary art, personal

email: anna.boschi @ teletu.it Commissioned and promoted as every year at UD Woman's Day, this show, the centenary edition of 8 March, the surrender to a great artist like Anna Boschi, the witness of a performance which sees the feminine element of distinction and value in the artistic field. The title of the exhibition draws its meaning from a Latin phrase that means "after writing" and that, for anything random, stresses the importance of this note has, at the conclusion of a letter, pamphlet. As curator of the specific fact, "what is most striking is that when you write it, who does not really want to give an oversight, but rather something that you want to highlight, confident that as the last reported information is not ignored. Almost a stress with grace and discretion to those last words are delivered to all the hopes of what we really care. " It is in this sense that this show does its real meaning, crossing the artistic career of Anna Woods, in a period from 1990 to 2010. Moving from series to series Uni-verse Scripture, with stops on the desired flight of the poet and the poet sull'Omaggio, (dedicated to Guillermo Deisler) to the work that show unequivocal NO to the violence, the abuses and discrimination.

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Ángel Serrano Aroca - The dream of Julia

Julia's Dream, 40x40 cm, acrylic on canvas

Cosenza - from 5 to 25 March 2011
Ángel Serrano Aroca - The dream of Julia

ART GALLERY THE MUSE here to go to the Exibart.alert - keep an eye here

Piazza Santa Teresa 8 (87,100)

+39 098471412, +39 098422018 (fax)

info@gallerialemuse.it

www.gallerialemuse.it

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The Artist in painting seeks to depict childhood as an essential step in the development of sea persone.Il greatly influence his painting for maybe coming from Valencia, Mediterranean city.

time: from Monday to Saturday 10-13 and Sunday 17-20 : 11-13 (may vary, always check by phone)

Tickets: free admittance

vernissage: March 5, 2011. 18 hours

curators Myriam Peluso

authors: Ángel Serrano Aroca

Gender: young art, personal Ángel Serrano Aroca, born in Valencia (Spain) in 1975, painter, engraver and Doctor of Chemical Engineering. Serrano began to draw and paint very young. Just six years he won the first prize for the design of the City of Valencia - El Corte Inglés. He studied music at the Music Center and the Conservatory of Benimaclet José Iturbi in Valencia. speaks English, Italian, English and French. So far, he has exhibited his works in museums and exhibitions, Spain, Italy and Switzerland, such as: Valencian Institute of Modern Art (IVAM), Gustavo Maeztu Museum of Navarre, Fran Daurel Foundation in Barcelona, \u200b\u200bMuseum Ibercaja Carmon Aznar (MICAz) of Zaragoza, Museo del Presente di Rende, etc.. currently lives and works in Cosenza (Italy) and Valencia (Spain).

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S. Masses of March

Oratory of the Most Precious Blood
Via Ofanto 24, Pescara (new court area).


Sunday, March 13, 2011 at 18:30
S. Mass

Thursday, March 24, 2011 8:00
S. Mass
18.00 Conference in Chieti: The Teachings of Pius XII

Friday, March 25, 2011 at 18:30
S. Mass
19.00 Via Crucis

Saturday, March 26, 2011 17:30
S. Mass
18.15 hours Catechism: "The devotion to St. Joseph in the teaching of the Popes"

Sunday, March 27, 2011 11:00 am
S. Mass

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Cynthia Pellin - Painting and femininity

Latin America - from February 20 to March 19, 2011
Cynthia Pellin - Painting and femininity

Art Gallery MODERN AND CONTEMPORARY - PALACE OF CULTURE here to go to the Exibart . alert - keep an eye here

Viale Umberto I 1 (04100)

+39 0773652600

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sixth round of the festival with artist Cynthia Pellin

time: Tuesday to Friday from 10.00 to 13.00 Entrance Via Umberto I afternoon from Tuesday to Saturday from 17.00 to 19.30 Entrance Via Oreste Leonardi side (may vary, always check by phone)

tickets: free admittance

vernissage: February 20, 2011. 19.00 hours Presentation Vincent Scozzarella

catalog: Art Galleries by Vecchione

curators Fabio D'Achille

authors: Cynthia Pellin

notes: Within: MAD - Review of Art Simultaneously, in collaboration with the Department of Culture

genre: contemporary art, personal

email: annamaria.acquafredda @ gmail.com MADanza to by Fabio D'Achille, in collaboration with the City of Latina and Vincenzo Scozzarella Scientific Director of the Galleria Civica d'Arte Contemporanea di Latina, presents the sixth round of the festival with artist Cynthia Pellin staff "painting and femininity" 20 febbraio2011 VERNISSAGE at 19.00 after dance show "LOVE MACHINE" 's art through the paintings narrate the feminine is the specificity of Cynthia Pellin, who manages to steal the viewer's attention with his unique style. And how Mino Rossi says: "You can not tackle the art of Cynthia Pellin without reference to the importance of light in his works, which are all intended to convey emotions, that is to build connections between work and public. The light is in fact the privileged place where meetings can take place because it is the space of clarity, transparency and brightness. [...] The works of Cynthia are tied variable play of light and shadow: the meaning of the expression of the face, body movement is marked by the contrasting light and shadow, light-planes. The faces of the portraits of women who line up in an endless sequence, are calculated so that their features stand out from a mime extrapolated from meetings in virtual places with women, namely, that they have never met, but that lead expressions on their faces, whose signs are present throughout the human species and making them live in complete rawness of their emotions. Each picture opens a new and different scenario, in relation to the swarm of emotions that the artist wants to communicate, so that it is legible and clear in its brightness. " Recently one of his works" Vampire "has been used as cover for the book by Fabio Mundadori at the Palace of Culture Period February 20, 2011 - March 19, 2011 Curator Fabio D'Achille Vernissage 20 febbraio2011 19.00 hours "painting and femininity" Presentation Vincent Scozzarella Catalogue by Vecchione Art Galleries Presentation of the book Mino Rossi Cynthia Pellin-Painting and femininity " during the vernissage will be possible buy Music Accompaniment Crocodile Rock Duo Claudio Olympian and Archangel Spina Tasting DEVELOPMENT HORECA no. Press and External Relations Anna Maria Acquafredda for information: tel. 348.6612537 339.8883014 e-mail annamaria.acquafredda @ gmail.com time from Tuesday to Friday from 10.00 to 13.00 Entrance Via Umberto I afternoon from Tuesday to Saturday from 17.00 to 19.30 Entrance Side Entrance Via Oreste Leonardi free Municipal Art Gallery Galleria Civica d'Arte Contemporanea Modena and Palace of Culture Via Umberto I, 41 / 43 LATIN Biography of Cynthia Pellin Cynthia Pellin and 'born in Velletri (Rome) on 19/07/1973. He attended the Accademia di Belle Arti in Rome, graduating with honors during the scene with Prof. Vendittelli. "Cynthia Pellin already carries out 'for some time to explore a route leading more and more' closely the female universe: a journey of inner character, a kaleidoscope full of charm and seduction, an isolated planet in a myriad of chips, which approach and move away, in the endless game of life. "(L. Guarino) Exhibitions: - 2008 Reggio Calabria" final details " Personal, Art Gallery today Padua "Art Fair" Old art galleries Rome "Contemporary tomorrow" theater room Umberto Verona "artverona" Old art galleries Latina "Solidarte" Lydia Palumbo Scalzi Catania Gallery "Art Fair" Exhibition Center The Chimneys - 2007 Padova "final details" Staff, Zerokarati Gallery (old group) Bolzano "Kunstart" Verona "artverona" Old art galleries Milan Miart " Genoa Genoa Arts" Old art galleries signaling between finalists in the "Arts Award 2007" - 2006 Verona "Art Fair" Old art galleries Verona & Luxury yacht "luxury show Milan Miart" Old art galleries Padova Artefiera "Old art galleries - 2005 Vicenza Vicenza Art Fair" Gallery Vecchiato "Catania Arte Fiera" smokestacks Exhibition Center - 2004 Vicenza Vicenza Art Fair "Gallery Vecchiato Padua" Art Exhibition "Gallery Vecchiato Latina" .... the story of all time "Lydia Palumbo Scalzi Gallery - 2003 Latina "1945-2003 Contemporary" exhibition at the invitation, Palazzo M signaling among the finalists of the "Arts Award 2003" - 2002 Forte dei Marmi (Lucca) "What I see" Gallery Vecchiato Padua "Art Exhibition" Gallery Vecchiato - 2001 Neckarsulm (Germany) "Fragments" Staff , Neckarsuim Bank Genzano (Rome) "Pieces of femininity" Staff, Center for Contemporary Art Luigi Montanarini signaling among the finalists of the "Arts Award 2001" - 2000 Sabaudia (Latina) "Between reality and fantasy" Staff, Room exhibitions library Sabaudia - 1999 Sanremo (Imperia) "Put a song in frame" Art shop Sanremo Privett (Latin) "Between reality and fantasy" Staff, Town Hall Latina "Piazza Culture" exhibition at the invitation for a cultural event

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Elis Wilk - Reveils

Naples - 15 to 28 February 2011
Elis Wilk - Reveils

GALLERY GINO Branches go the card here Exibart.alert - keep an eye here

Via Broggi 9 / 10 (80,135)

+39 0815640738

info @ ginoramaglia.it

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"Artists Showcase" Performance-show

time: Tuesday to Saturday 10-14 and 16-20 (may vary, always check by phone)

tickets: free admittance

vernissage: February 15, 2011. 19.30

authors: Elis Wilk

genere: performance - happening, personale Elise in Wonderland. La consonanza del nome dell’artista con la piccola Alice di Carroll lascia affiorare altre inattese contiguità. Il giardino fantastico della nouvelle Alice è Napoli: un singolare paese delle meraviglie che popola tanto isogni, quanto le veglie della nostra squilibrata poetessa francese. Ecco perché Reveils: una parola che, tagliata male (Reve-ils), può provocare nubilanti overdosi di catene oniriche, ambiguamente sospese su quel filo arancio dell’aurora, che da un capo è legato al cupo imbroglio metamorphic stage of REM, on the other head merges into the translucent white paint instead of waking morning. Naples as a fantastic garden: a topos that refers to the suspension of the Edenic Decameron brigade, a joie array of Anjou (Elise would rather an 'Angevin joi'), which persists even to hover like mist Sunrise ( the whites of his work) between the heaps of rubbish from cars scamazzata ( the chaotic spots of ink monotype) calm and patience of the people killed (his tenacious red). The a spiritual Brigade of his characters and tells stories of lightness of transformations, accoppiamenti ibridi e associazioni fantastiche. Ricorre nei suoi disegni l’assillo onirico del doppio, rappresentato con copule di ispirazione ovidiana o con fusioni del due-in-uno che evocano, con una non comune leggerezza, le associazioni dada. Il supporto dei suoi fantasmi è la carta da parati: monotona e retro come la città che ha alimentato i suoi sogni. La tecnica, quella della monotipìa, contribuisce perfettamente a rendere visibile la grassa e fertile materia onirica partenopea. Con una breve dimostrazione, la sera del 15 febbraio (h 19.30) l’artista accompagnerà gli spettatori nel suo Wonderland.

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Mariarosaria Stigliano

Avellino - 15 February to 30 March 2011
Mariarosaria Stigliano

SOUTH BANK SELLA ARDITI GAL here to go to the Exibart.alert - keep an eye here

Corso Europa 8g (83,100)

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balance between reality and dream in the works to bring us Mariarosaria Stigliano suspended atmospheres, faint but recognizable, near and at the same time elusive elusive.

hours: Monday to Friday 8:30 / 13:30, 14:45 / 15:30 (may vary, always check by phone)

tickets: free admittance

vernissage: February 15, 2011.

curators Mona Lisa Salvati

authors: Mariarosaria Stigliano

Event Phone: +39 3204571690

Gender: contemporary art, personal

email: monnalisa.salvati @ tiscali.it

web: www.associazionestudio7.it balance between reality and dream in the works of Mariarosaria Stigliano lead us in suspended atmospheres, faint but recognizable, near and at the same time elusive elusive. "Short Tales" are short stories, small stories with a strong flavor, leaving time to think, to continue in its own way the thread of events just like images that the artist offers us. A room, an old factory, a station or a busy street where you become the theater has a charm, the charm of a stolen moment in time that passes, a simple but extraordinary product of daily life that we do not stop to look more or that perhaps we can no longer see. But we've ever seen? Or maybe it is part of our imagination? And if we only wanted to see why there is so familiar? Opening hours Mon / Fri. 8:30 / 1:30 p.m. to 2:30 p.m. / 3:30 p.m. Free admission Event Info cell.320.4571690 Press Studio7.it www.associazionestudio7.it Curator Artist Mona Lisa Salvati Mariarosaria Stigliano Biography Mariarosaria Stigliano was born in Taranto in 1973. He graduated in Law at the University of Rome La Sapienza and the action follows the second degree in painting at the Academy of Fine Arts in Rome. He exhibits in several locations in Italy and abroad. In 2007 he won the International Prize MassenzioArte (Roma). In 2009, staff at the Urban Passengers at the gallery The New Ars Italy (Milan), his works were chosen by Ferrovie Nord Milano as some of their most representative images. In 2010 selected to take part in three major awards: In Opera, edited by Antonio Paolucci (Director Vatican museums), the Broad Prize, given by Madonna and Daniela Award Sulmona, chaired by Vittorio Sgarbi. started in 2011 by participating in the program Art RAI News RAI 3 where is interviewed about his art and at the same time creates a painting. The making of the work and the episode can be seen at the sites of Rai Art News.

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Branches arising from the pruning of trees in the "Bay", made some days ago, for, in all probability, to be turned in good compost: Compost is a useful addition to the various crops in pots, to feed and more fertile soil of lawns, gardens and parks (ENZO PEDROCCHI)

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Heraldry of the feudal lords and noble families of Guardia Lombardi

Heraldry of the feudal lords and noble families of Guardia Lombardi

the feudal lords of Guardia Lombardi

Year 575

The Lombards in Campania

The Year 1000-1196 The Normans in Campania

Valvano of Valva (Conti) before the noble family of Guardia Lombardi

Year 1196-1266

The Swabians in Campania

The Year 1266 Anjou Many families in Campania

, Ghibellines, the north and the center of Italy are forced to take refuge or exile in southern Italy.

I Folliero of Ferrara, Ricciardi of Tuscany, the Gentile and Scorza of Liguria.

Year 1382

Otto IV of Braunschweig-Grubenhagen

Feudatario of Guardia Lombardi

Feudo inherited by his wife, Joanna I of Anjou, Queen of Naples.

Arms: Gules, two lions illeoparditi gold posts band.

Year 1392

Raimondo Orsini del Dodge

Feudatario Guardia Lombardi

Buy the feud by Otto IV in June 1392

Year 1406

Gabriele Orsini Dodge

Feudatario Guardia Lombardi

Year 1454

Maria Donata Orsini Dodge

feudal Guardia Lombardi

Year 1482

Dodge

Isabella (daughter of Donald and Mary Dodge of Pirro)

feudal Guardia Lombardi

Year 1497

Sigismondo Saraceno

Feudatario of Guardia Lombardi

bought the estate of Frederick of Aragon (King of Naples), given to him as dowry from his wife Isabella of Dodge.

Arms: D'Argent, a natural dark brown, light blue walls, with a golden lily on his forehead.

Year 1525

Giovan Camillo Saraceno

Feudatario of Guardia Lombardi

Year 1528

The feud returns to the Royal Court of Anjou

Saraceno I rebel against Charles V, he was dispossessed of the feud Guardia Lombardi.

Year 1529

Alfonso De La Rosa Rosa ou

Feudatario of Guardia Lombardi

fief given to him by the Viceroy of Naples, Philibert de Chalons

Year 1529

Antonio de Ioanna

Lieutenant of Alfonso De Rosa

Year 1542

Tiberius Caracciolo

Feudatario Guardia Lombardi

bought the estate by the De Rosa for 10,000 ducats.

Year 1549

Leone Folliero

Feudatario of Guardia Lombardi

bought the estate from Caracciolo

Arms: Gules, a lion ' gold.

Year 1560

Scipione Folliero

Feudatario of Guardia Lombardi

Year 1563

Beatrice Folliero

feudal Guardia Lombardi

Year 1607

Francesca Lannoy

feudal Guardia Lombardi (per day)

donation to his mother, Beatrice Folliero.

Year 1607

Ferrante Della Marra

The Duke of Guardia Lombardi (1611)

Buy the feud by Francesca Lannoy for 49,000 ducats.

Year 1629

Luigi Della Marra

Duke of Guardia Lombardi

Year 1635

Beatrice Della Marra

Duchess of Guardia Lombardi

Year 1649

Giuseppe Della Marra

Duke of Guardia Lombardi

Year 1656

John Della Marra

Duke of Guardia Lombardi

Year 1696

Silvia Della Marra

Duchess of Guardia Lombardi

Year 1765

Antonio Fulco Ruffo

the First Duke of Guardia Lombardi

For inheritance from his mother Silvia Della Marra

Year 1770

William Antonio Ruffo

Duke of Guardia Lombardi

for donation of his father Antonio Fulco Ruffo I °

Year 1782

Antonio Fulco Ruffo II

Duke of Guardia Lombardi

Year 1803

Fulco Ruffo Antonio Giordano

Duke of Guardia Lombardi

Year 1852

Fulco Ruffo

Benjamin Duke of Guardia Lombardi, Prince of Scilla

Year 1901

Duke Fulco Ruffo di Guardia Lombardi

Year 1946

Fabrizio Ruffo

Benjamin Duke of Guardia Lombardi, Prince of Scilla

noble families of Guardia Lombardi

Family Barrasso

White Family Family Family Di Biasi

Cardillo

Castellano Family Family Family Cataldo

Caterini

Cipriano Family Family Family

Damiano Gentile

Jordan Family

Grassi Family

Imperial Family Family Family Macchia Di Leo

Maiorano Family Family Family Mariconda

Mignone

Family Di Pietro Pignataro

Family Family Family Peoples

Ricciardi

Rossi Family Santoro Family Family

De Simone Simone ou

Troiano Family Family Family Valvano

De Vita

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Mario Marcucci - Oils and watercolors

Salerno - from 12 February to 2 March 2011
Mario Marcucci - Oils and watercolors

GALLERY CATALOGUE here to go to the Exibart.alert - keep an eye here

Via Antonio Maria De Luca 14 (84122)

+39 089232666

info@ilcatalogo.com

www.ilcatalogo.com

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Current events near

The gallery pays homage to the painter Catalogue Viareggio with a project on the centenary of the birth of the artist, in conjunction with a retrospective dedicated to him from his city

time: every day except Monday: 17.30-20 10 -13 hours (may vary, always check by phone)

vernissage: February 12, 2011. 19 hours

press office : olga.chieffi @ virgilio.it

authors: Mario Marcucci

Gender: contemporary art, personal The Gallery The Library pays tribute to the sign of Mario Marcucci simultaneously with the large retrospective exhibition dedicated to him from his city, set in the halls of Villa Paolina Bonaparte, "Mario Marcucci and Viareggio. Environments and reflections ", a project of this Lelio Antonio Schiavone and Adil, who was born on the centenary of his birth with an exhibition of oils and watercolors, which opens Saturday, February 12 at 19 and will be available until Wednesday, March 2 2011. In the works on display "(...) You can admire the landscapes, the sea, pine forests, streets and squares of the town of Versilia - Raffaella De Santis writes on January 8, Art Republic ca - revealing the life and love for his land. " Mario Marcucci's language was developed through the investigation and representation of the landscape of his native land of sea, boats and pine forest, then through the light of the particular site has honed his research by analyzing and investigating all possible variations of the language of color as a means to capture the appearance of reality, with whom he represented still lifes, portraits and portraits of great value and beauty. The color was a sort of obsession for the artist, that I led to a vast production of oils and watercolors done on everything that came to hand, newspaper, book pages, all kinds of wood, lids of cans, cardboard, cloth, everything could be used and the enormous quantity of paintings that he left the witness. His landscapes, whether realized on a squared paper or wax paper in a grocery store are never subject to a concession or a display of virtuosity. Marcucci's paintings, like the two still lifes on display, painted in oil, "Basket of Onions" in 1947 and "Basket jars and jug" reveal the beauty and poetry of those things to be humble and modest need to be understood, interpreted or described by an artist for the world to notice them. They are still lifes, villages, fields, lonely corners of nature 'picturesque', neither horrible nor dazzling, but common, simple, without excess of lines, colors and contrasts. The duration of the sign Marcucci, be it a portrait or a landscape such as "Figure Back" on a page Corsera of May 1971 or a "channel of Viareggio is endless: their image is formed in a fire inaccurate, is above all a mental image stored in memory and reactivated. Subject already reflected in time, without waste utility, fixed and random in its pre-membership, pay its spots and its seas, the densification of the shadows, the air pockets of the plans, to internal dialogue that adapts to them a sequence of simple colors, rearranges them for different spatial relations from which a particular breath of light that throbs with equal intensity in each image and appearance all the more negligible unifies all impressing to the sky like a bush, the same deep pulse. Mario Marcucci (28 August 1910-2 May 1992), Viareggio, refractory to any entry in the current art of our century, has maintained a personal pictorial language and a passionate exchange with poets, writers and artists, thus becoming a emblematic figure of 900, a complex artist who has done his research in several directions in the representation and tonal painting. Marcucci arises mainly in the field of art near De Pisis, Morandi and Rosai, which is only away for a short period - the late forties - to deal with the suggestions of Cubism. Training was important in his friendship with the poet Luca Ghiselli, his contemporary, who died in 1939. At the beginning of the war came into contact with the Hermetic Florence. During his career he received many awards (he won the Premio Bergamo in 1941, then the Marzotto Prize in the Festival of Italian painting in Venice; 8x10 Prize of Rome in 1951, the Michetti Prize in 1953 and the forint in 1954) and participated in numerous exhibitions including several editions of the Quadrennial Romana and the Venice Biennale. During the fifties stayed several times in Rome, then moved to Florence, where he remained until 1966, when he returned to his hometown final. This period marks undoubtedly the highest stage of his painting with the creation of some of his most beautiful, important and meaningful. Become almost completely blind since the mid-eighties he stopped painting.